You can play with the vertical range detail under Preferences/Settings. Since we deliver voiceover audio using the dB scale, it makes sense to work that way. Hopefully, you have already changed from the default “Linear” system to a dB scale on the tracks. Unfortunately, little has changed in terms of rendering the audio waveforms within the tracks themselves. This nicely cleans up all the different pull-down menus found in previous versions that often caused users to accidentally switch settings mid project. “Audio Setup” finally aggregates the mishmash of options for audio I/O settings, nesting “Playback Device”, “Recording Device” and others underneath the visible button. Audacity’s Audio Setup Button cleans things up There are some FAQs and more information on that site. Created by musicians, producers & technologists from Muse Group (Audacity, Ultimate-Guitar, Musescore) we’re dedicated to providing technical solutions that help you further your creativity by helping you upload, share and collaborate on your audio creations.” At this point, it’s probably not directly applicable for voiceover, but it may hint at a direction MUSE wants to pursue. “ Share Audio” allows direct sharing from Audacity to – a MUSE-owned property which they say is “an early stage audio-sharing platform currently in beta-stage of product development. Audacity Interface Provides Two New Buttons Audacity’s Share Audio Button Note the nested menus for Host, Playback Device, Recording Device, Recording Channels and Audio Settings, all of which have been incorporated under the Audio Setup button. Highlighting the new “Audio Setup” button found in Audacity version 3.2.0. One thing to be aware of when first opening Audacity version 3.2.0, existing layouts will be reset, so you will have to reposition any meters or palette positions which you changed. But even the “Classic” is a bit easier on the eyes. I prefer running Audacity in “Dark” mode (which you can change in Preferences/Settings > Interface >Theme). The new 3.2.0 version (shown above) seems to have generally simplified the application layout onscreen, cleaned up the buttons and in general made it a bit more visually appealing. It reminded me of recording applications from “back in the day” (when we used to call applications “programs” and they came on disks that you purchased …) It was due for a bit of a refresh. The buttons were slightly chunky and the graphics a bit clunky. In previous versions, Audacity’s visual interface has seemed a touch dated. The new Audacity version 3.2.0 rollout continues the makeover of the graphic design, but also makes a major addition in terms of Effects functionality. As long as it makes sense to you and doesn’t get in the way of efficient studio operations, your recording software is doing its job. I’ve continued to keep a copy handy in order to help voice actors refine their workflows.Īlthough I prefer to use different recording software for my go-to working environment, it’s important to note that no audio software records “better” than any other – it’s always about the interface. Many choose to use it as a main working environment or may keep it as an alternative recording option should there be some calamity with their regular software. Audacity continues to be widely used by voice actors. It has been interesting to see Audacity’s development since it was acquired by MUSE last year. It has some beneficial updates including a big change: implementation of Realtime Effects on individual tracks. I’ve floated the input meter out to the right for better visibility, as well as changing the scale to the more universally used decibel (dB) system.Ī new version of the popular Audacity recording software came out recently. The new layout for Audacity version 3.2.0 (using the “dark” palette option).
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